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After completing a screenplay for The Terminator, Cameron decided to sell it so that he could direct the movie. However, the production companies he contacted, while expressing interest in the project, were unwilling to let a largely inexperienced feature film director make the movie. Finally, Cameron found a company called Hemdale Pictures, which was willing to let him direct. Gale Anne Hurd, who had started her own production company, Pacific Western Productions, had previously worked with Cameron in Roger Corman's company and agreed to buy Cameron's screenplay for one dollar, on the condition that Cameron direct the film. Hurd was signed on as producer, and Cameron finally got his first break as director. Orion Pictures distributed the film.[30]
For the role of the Terminator, Cameron envisioned a man who was not exceptionally muscular, who could "blend into" a crowd. Lance Henriksen, who had starred in Piranha II: The Spawning, was considered for the title role, but when Arnold Schwarzenegger and Cameron first met over lunch to discuss Schwarzenegger's playing the role of Kyle Reese, both came to the conclusion that the cyborg villain would be the more compelling role for the Austrian bodybuilder; Henriksen got the smaller part of LAPD detective Hal Vukovich and the role of Kyle Reese went toMichael Biehn. In addition, Linda Hamilton first appeared in this film in her iconic role of Sarah Connor, and later married Cameron.[22]
The Terminator was a box-office hit, breaking expectations by Orion Pictures executives that the film would be regarded as no more than a sci-fi film and only last a week in theaters. It was a low-budget film which cost $6.5 million to make, cutting expenses in such ways as recording the audio track in mono. However, The Terminator eventually earned over $78 million worldwide
During the early 1980s, Cameron wrote three screenplays simultaneously: The Terminator, Aliens, and the first draft of Rambo: First Blood Part II. While Cameron continued withThe Terminator and Aliens, Sylvester Stallone eventually took over the script of Rambo: First Blood Part II, creating a final draft which differed radically from Cameron's initial vision.
Cameron next began the sequel to Alien, the 1979 film by Ridley Scott. Cameron named the sequel Aliens and again cast Sigourney Weaver in the iconic role of Ellen Ripley. According to Cameron, the crew on Aliens was hostile to him, regarding him as a poor substitute for Ridley Scott. Cameron sought to show them The Terminator but the majority of the crew refused to watch it and remained skeptical of his direction throughout production. Despite this and other off-screen problems (such as clashing with an uncooperative camera man and having to replace one of the lead actors when Michael Biehn of Terminator took James Remar's place as Corporal Hicks), Aliens became a box-office success. It receivedAcademy Award nominations for Best Actress in a Leading Role for Weaver, Best Art Direction, Best Film Editing, Best Original Score, Best Sound, and won awards for Best Sound Effects Editing and Best Visual Effects. In addition, the film and its lead actress made the cover of TIME magazine as a result of its numerous and extensive scenes of women in combat; these were almost without precedent and expressed the feminist theme of the film very strongly.
For the role of the Terminator, Cameron envisioned a man who was not exceptionally muscular, who could "blend into" a crowd. Lance Henriksen, who had starred in Piranha II: The Spawning, was considered for the title role, but when Arnold Schwarzenegger and Cameron first met over lunch to discuss Schwarzenegger's playing the role of Kyle Reese, both came to the conclusion that the cyborg villain would be the more compelling role for the Austrian bodybuilder; Henriksen got the smaller part of LAPD detective Hal Vukovich and the role of Kyle Reese went toMichael Biehn. In addition, Linda Hamilton first appeared in this film in her iconic role of Sarah Connor, and later married Cameron.[22]
The Terminator was a box-office hit, breaking expectations by Orion Pictures executives that the film would be regarded as no more than a sci-fi film and only last a week in theaters. It was a low-budget film which cost $6.5 million to make, cutting expenses in such ways as recording the audio track in mono. However, The Terminator eventually earned over $78 million worldwide
During the early 1980s, Cameron wrote three screenplays simultaneously: The Terminator, Aliens, and the first draft of Rambo: First Blood Part II. While Cameron continued withThe Terminator and Aliens, Sylvester Stallone eventually took over the script of Rambo: First Blood Part II, creating a final draft which differed radically from Cameron's initial vision.
Cameron next began the sequel to Alien, the 1979 film by Ridley Scott. Cameron named the sequel Aliens and again cast Sigourney Weaver in the iconic role of Ellen Ripley. According to Cameron, the crew on Aliens was hostile to him, regarding him as a poor substitute for Ridley Scott. Cameron sought to show them The Terminator but the majority of the crew refused to watch it and remained skeptical of his direction throughout production. Despite this and other off-screen problems (such as clashing with an uncooperative camera man and having to replace one of the lead actors when Michael Biehn of Terminator took James Remar's place as Corporal Hicks), Aliens became a box-office success. It receivedAcademy Award nominations for Best Actress in a Leading Role for Weaver, Best Art Direction, Best Film Editing, Best Original Score, Best Sound, and won awards for Best Sound Effects Editing and Best Visual Effects. In addition, the film and its lead actress made the cover of TIME magazine as a result of its numerous and extensive scenes of women in combat; these were almost without precedent and expressed the feminist theme of the film very strongly.
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